…for your young idea…

“Fuck all that shouting, nothing happened!”
–Billy Idol

The rise and fall of the post-Nirvana boom I don’t care about. I think we can all agree it didn’t represent a takeover of anything.
–J.Robbins

There’s always room for bros.
–Alex Rawls

Rock and roll was a dangerous weapon, chrome plated, it exploded like the speed of light, it reflected the times, especially the presence of the atomic bomb which had preceded it by several years. Back then people feared the end of time. The big showdown between capitalism and communism was on the horizon. Rock and roll made you oblivious to the fear, busted down the barriers that race and religion, ideologies put up.
–Bob Dylan

And after two years of trying our best to convince you that all these things were true, it turns out that we, the media, were the ones who were lying.
–Brian Joyce

I’ve been listening to nothing but live Fugazi.  They’ve got to be the greatest rock and roll band of all time.  That’s only slight hyperbole, used to convey the utmost respect and admiration I have for this band.  Throughout their career they managed to maintain form as content. Despite a complaint against the proselytizing of singer Ian MacKaye, the lyrics of Steady Diet of Nothing show a marked shift from direct moralizing into more abstract and artful tropes.  Fugazi will always represent the spirituality of salt to me.  Without drugs or alcohol, they explored deep and archetypal forms-which is a very fancy way to say they managed to let their imaginations run wild without any outside influence.  It’s very pure.  In “Latin Roots”, co-frontman Guy Piccioto’s journey of a regressing young adult laying on his parents’ bed and falling backwards through the centuries of his genealogy, happens without even the smoking a cigarette.  Perhaps this is only how I imagine it, I’ve conflated the narrator/performer/writer with his subject matter.  It only speaks of the mythology at work with this band, as there is with any great band, performer or artist.  The other thing Fugazi share with great art is that they’re in the air, or, in the water, as poet Bernard Pearce wrote.  Fugazi is the east coast, where I grew up and first saw them perform, at 15, in the gymnasium of Drexel University in their backyard of Philadelphia.  They’ll always sound like adolescence to me.

Fugazi will always be crystalized into one moment, walking down some forgotten street in Clifton Heights, as a 14-year-old skinhead, being picked up by one of the only skaters in High School at the time, him having their s/t album on cassette, rewinding it to the beginning and listening to the whole thing.  So many things are gone from the day, the most tragic being a time when I could holler out and hop in the pickup truck of someone I didn’t exactly know but trusted more than family because of how he wore his hair and the fact that he knew.  We knew.  We knew what was coming, what was happening, and it wasn’t punk rock, that was our older brother-the generation before.  This was now.  This was brand new and it was kids, like us.  They were just like us.  That feeling would last until the release of Nevermind 2 years later, when jocks and squares started dyeing their hair and it all became a silly fad-repurposed and sold.  Fugazi continued touring and putting out albums throughout it all, until the apocryphal announcement of their hiatus at the dawning of the New Century.

Fugazi will always be a winter band. There’s a resourcefulness that comes from living in winter climes, and I always think of them with their knit caps on, a chill in the air and chimney smoke mixed with the smell of wet stone just before it snows.  I’ve become a new man so many times while listening to them, on so many levels, not the least of which having shaved off my long hair and starting High School, a new man but barely one…in the Fall, which is when I received their last album from WKDU’s Stevie D., and played the whole thing front to back on a Monday evening just a short walk away from the gymnasium where I’d seen them play 13 years before-they sounded ebullient, and they always will, jaunty and fresh and political, just like youth.

 

 

 

 

 

 

Dave Grohl, South By Southwest 2013, Blues&Trouble in Paradise

Neurosis-it’s what’s for breakfast. Doesn’t help that the whole town’s on vacation and the whole fucking world is on Austin’s doorstep for the 27th Annual SXSW Music&Media Conference.
The construction crews on Rio Grande haven’t missed a beat. They’ve got some clever machines, including one that sounds like some kind of mechanical pick-axe. It chisels me from dreaming, it chisels me awake. My mornings usually begin with me fantasizing about climbing onto the roof of the mansion with a rifle and taking Mr. beep-beep-beep out, and the rest of his crew too.
I’m stuck on repeat, creatively speaking, and I’m just as neurotic about a poem submitted last Friday night as I was the last time I posted.
Uncle Dave Grohl will be delivering the keynote address for this year’s SXSW, at 12noon CST.  I don’t know how he could possibly hold a candle to last year’s address by the Boss. Bruce Springsteen’s Keynote Address for SXSW 2012 is one of the finest moments in the history of broadcast media. I strongly encourage you to listen to it sometime. The best thing about it? The Boss knows that all we are ever doing is standing on the shoulders of our ancestors. He never comes across as self-important or some hot shit rockstar. He talked about Son House and The Animals for christ. Other than Grohl’s work behind the kit, I’m not really impressed by the man. His work with the Queens and of course Nirvana are fine examples of hard rock drumming at its finest. The Foo Fighters on the other hand, are fratboy fare, nothing we haven’t heard again and again, repeatedly since punkrock’s incorporation. If his recent AMA on Reddit is any indication, this should at least be interesting. Bound to have more resonance&depth than his band-of-Dads’ sappy post-hardcore horseshit.
As far as SX is concerned, before day’s end I’m bound to see Freedy Johnston, The Joy Formidable and end it all with a little nightcap east side.
It’s impossible to get anything done around here with the whole town exploding and shit happening in every abandoned bus and bank lobby in Hippie Town.
And besides all that craziness I can’t get over the fact that I submitted a poem  that I am not proud of to an Anthology . I guess that’s life, right Brother? Some of us shack up in the high rooms with a bottle of champagne and rue our Artists’ plight while the streets are filled with Gilligan’s Island rejects wearing wristbands and drinking from plastic cups and jamming to the Foos.
Meanwhile the rest of the world’s awash about the appointing of another kiddie feeler as the head of an ignorant, hateful and dead religion.  1.2 billion people can’t be wrong, can they?

Between trouble&the blues, how will we ever survive?  See you on the streets motherfucker.  Rock and Roll can never die.

We live in a post–authentic world. And today authenticity is a house of mirrors. It’s all just what you’re bringing when the lights go down. It’s your teachers, your influences, your personal history; and at the end of the day, it’s the power and purpose of your music that still matters.
-Bruce Springsteen from his 2012 SXSW Keynote Address