Buddhas On The Road

“Fuck Yoga,” my partner was saying, “you should take up boxing.”
We were on the long slink into Texas from Louisiana.  Crossing the gulf coast underneath godheads of clouds that rained on us as we passed.
“Something where you can hit someone, and get hit.”
I was wound tight but it wasn’t the traffic.  It wasn’t from my third cup of gas station coffee either.
“Just sit back,” I told him and eased the stereo up to 10.
Suddenly the rain broke and the road wound long to the horizon.  A good sign.  I rolled the windows down.  My partner fell asleep without another word.

The close quarters of a black 2016 Hyundai Santa Fe were enough to make us buggy, rolling down the windows or reaching for the stereo, a set of earphones or a piece of gum.  Any way to create some space.  My partner slept for a lot of the drive.  Most in fact, which was ok, and much better than unsolicited advice about my “short fuse” or spartan road diet of sliced apples and bread and cheese from Starbucks.  It wasn’t all bad and in fact was mostly good.  We had a good run and he offered encouragement with his criticisms, especially after my set at Siberia on Saturday.

The gist of it is that in twenty years of booking bands, Bernard can spot talent and according to him I’ve got it.  As much as I’ve heard that over twenty years of performing, his words sank in, really got in there.  It was undeniable and I heard him.  He also offered that maybe the dayjob shouldn’t be anything but.  When I told him my plans of riding my caregiving gig as long as I could he said it was a mistake.  I heard him, too.  This blog ain’t about him though.  At least not specifically.

This post is about a life devoted to the creation of Art.  An attempt to disabuse myself of fearful notions that have only kept me doleful and caged.  I took the safe route.  Perhaps.  I still made Art.  In Yoga this morning I realized that everything I think is just that-what I think.  This is some powerful medicine, Brothers&Sisters, and between the kind words of my tour partner and the self-realization afforded one on the Yogic path, I can see out.  I ain’t so scared anymore.  So, then- what am I waiting for?

I don’t know.  But my laziness knows no bounds.  There’s been a lot of fucking about since we pulled off LaTex Road last Monday.  I started back working full-time, which ain’t easy.  I’ve submitted some work and attempted to book some.  But much like when I was smoking and boozing and knew I was not living authentically-I know now that I’m not at 100%.  The details of it are shameful.  I don’t know why you’d want to read about it, but you do, and for this I am forever thankful.

Philly is the last to be booked on my east coast mini-tour.  Perhaps that’s how it should be but I’ve known about these dates since May- when I pushed back my usual June shows to September, and added Boston and NYC.  Some shit fell through.  Mostly unforeseen but now I know.  Also, I don’t need to be reminded that throughout my endeavors I will find a way to blame myself, to prove that I’m not good enough or worry about screwing it up long enough to actually screw it up.  Fly into Boston at twice the cost of a ticket quoted in May, without radio, without a local third act and without a place to stay.  Not to mention without New York City booked at all.  Some shit fell through.  Other shit I worried myself into a fit over, while doing nothing but laying on my back and masturbating.

Shameful, I know.  It’s fucking crazy being me.  I don’t know what I’d do without you, good reader.  I’m still kicking against it, the blues, insisting on this life and burning down the savage road I first stepped foot on over twenty years ago.  I’m still fucking it up colossally too, making twenty year old mistakes.  It’s as if I’m doing this for the first time, which, in a way, I am.  Sober.  Completely me.  Raw.  Nervous.  Wanting a cigarette so bad I could cry, at times, but knowing that my pain would only stop there.  It’s quite the ride Brothers&Sisters.  I’m quaking in my boots.  I’m nervous and raw and completely me.  Still after it.  Still alive.  Still going for the throat.

Namaste

There is no Buddha but the Buddha that you are.  If you meet the Buddha on the road you haven’t understood what the Buddha is. It is none other than your original mind. The idea of seeing the Buddha as outside of your self is conceptual-as is “becoming enlightened.” One can not become enlightened because that would assume that you are gaining something that you don’t have. Your basic nature is enlightened, awake, free, non-dual. This is completely experiential and not conceptual.  You have to kill the concept of Buddha both inside and out.
–JJ Simon

 

 

 

 

Is Something Wrong?

Does a bear shit in the woods? Does the Pope wear a funny hat? Is the government corrupt? Did your parents lie to you about what it was really like out here, in the wide world slaving the hours away for some shekels and a piece of bread, 4 walls and the game on Sunday? Yes, something is very wrong here and Mr.Jones ain’t the only one who don’t know what it is.

Another 4 days, another email sent. Christ.  Had I started walking with the message it would’ve got there sooner than it did when I finally hit ‘Send’ this morning. Things I’m not up for are things that must be done. Unless I don’t mind the dayjob and am perfectly happy being a wage slave, locked in a gilded cage and living in a yellow mansion here in Babylon-Hippie Town-Austin Texas-the Velvet Rut of the world. This town is like a mirage but the livin’s easy, nowhere near as brutal as Hostile City but never as real either. It’s where the Californians come to die, tech babies and plutocrats live in gauche condos in the sky and the artists and Mexicans beat the heat in pools far east of any metropolitan action. Fuck. Sorry. I  drank too much coffee and the jackhammers up the street seem to be boring into my skull.

Why anxiety? Dunno, good reader but after talking with pillar of strength and badass redheaded wicked witch of the North-none other than the lovely whipsmart Maureen Ferguson-this morning, I think it high time to up the ante. Time to book myself within an inch of my life, lest it take me days to send an email and too long to book a tour and I’ll find myself napping away what precious time I have left in my 40s to do this thing.

“This thing” is be an artist. Which, as discussed in blogs previous, is foregone-and right now looks like publishing 1 book a year at the IPRC and hitting the road every summer on the Gulf Coast junket and the East Coast in the Fall. It’s taking me too long to do things though. I feel retarded and unworthy.
Which as you know by now good reader, is only how I feel about it. The truth is I’ll have hit 6 of the 12 new cities I said I would’ve by the end of October. If I ever get back in front of the Great White machine I’ll have punched 6 submission deadlines to the pubs with flash fiction, essays and poems by the end of August. So, I am busy. And I don’t feel like I am. And rest never comes easy when you’ve got a chip on your shoulder and no college degree.

Be good to hit the ground running, in a Honda 2-door instructing Yoga and playing gigs until I can get out on the road again. Streamline the MAMU so that wherever I land will be a portable War Room and the fun doesn’t have to stop. Perhaps I should be grateful. I’m in good health and beside an enlarged prostate and being out of breath when I tie my shoes, I do get out of bed every morning. The words keep coming even though I’ve stopped offering libations and black hash smoke to the muse. I’ve no lovers in my life but no trouble either. When I look at the map of the Continental U.S. on the wall of the office I think I can do it. And when I reach out for help, I usually find I’m the most able-bodied and ready soldier in the room.

So what the fuck is wrong? Dunno, good reader. Dunno. One thing’s for sure though and that is it don’t take much to bring me around. I just hit the 679 mark on this post and it’s my 4th and last day off before I report back to the dayjob. Have I slain the dragon of anxiety? Hardly. But now I’m up on the mast again. Me and Ahab. Coursing the deep and ready to take another stab at nailing down the East Coast, compiling the new effort and booking the room.

See you on the road motherfucker.

Trainer
Going for the Throat

 

 

Confessions of a Jerkoff

The following post was written the Sunday before last, while in the midst of feeling like a failure.  

“You get your story and you hold onto it, and every time you tell it, you forget it more.”
-Laurie Anderson, Heart of a Dog

There’s nothing ironic about writing this at a Starbucks in downtown Austin while they play The Beatles.  The Beatles aren’t my favorite and neither is this coffee shop, but I’m left alone here.  It’s perfectly copacetic and American.  No haircuts, no 80’s music and plenty of space between me and the only other customer in here.  The Beatles are too terribly cute to resonate with me and my junkyard mind, but it’s not insufferable, certainly nothing earphones won’t fix and heaps better than the hipster coffee shop near the mansion.  I can never work there, can barely sit there without choking on good vibes with the urge to kill rising.  Which is all strangely prescient, being that the intention of this post is to demonstrate what a jerkoff I’ve been, and that in a slovenly state of mind even the universe can conspire to distract you, fuck you off and prevent you from getting the work done, if you let it.

The months following the publication of September and my return from Portland haven’t exactly been stagnant, but things never passed the speed of agony.  I’ve been busy but not busy enough.  I’ve kept up with gigs.  I did a book release at the mansion, performed for a packed house and sold some books. That week I appeared as the guest on Writing On The Air.  I was Chicon Street Poets featured reader in March and played their year anniversary as well as their presentation of Popsicle’s Departure 1989 by Maydee Distefano.  I was a featured reader of Blood Jet Poetry Series in New Orleans in March with great poet and friend Bernard Pearce.  I played a short set at the first Story Barn and my monthly gigs at the Airport.  I tagged along with fellow poet Brian Grosz and writer Kent Grosswiler Jr. for Writer’s Roulette and Spokenandheard at Kickbutt Coffee, and I opened the Ice Cream Social at the end of April.  I’m playing House Wine Thursday and then heading down to Houston the next day for Songwriters Roundtable Vol 8.  I’ve been able to support my community and made appearances at performances by Grosz and local favorite Nathan Hamilton.  I’ve been out to see Ebony Stewart read at the Bedpost Confessions‘ book release and also Testify semi-regularly.  I went to Joe Gray‘s first show on Wednesday and been listening to my homeboys on the Broad Street Breakdown.  I wrote poetry and posted a poem every day in April, kept that going throughout May.  I’ve had some poems featured in PoetryInk‘s 20th Anniversary Anthology as well as a tribute to Lamont Steptoe, and spoke and read at NSFW: Poetry For Wankers in May.  I’m sitting on about 10 new poems and hope to have them submitted by the end of June.  Meanwhile, I’ve submitted “You’d Be Alone Here Too” to the No Extra Words podcast and hope to get some stories together for submission to Backyard Story Night and Testify before we hit the road for upstate NY in July.  Lastly, I had some work appear in the Fredericksburg Literary and Art Review and am thrilled to be featured in The Waggle Magazine again.  In my interview with Chicon Street Poets I mentioned that I hope to break into twelve new markets by 2017, including Boston and NYC in September.

If you think that I’m tooting my own horn, you’re goddamn right I am.  At the request of my therapist I’m doing away with thinking that I am not an Artist.  It was my mantra for a while- twenty years or so but who’s counting-but thanks to the professional help of a good therapist, I won’t need to think that way anymore.  Also it just ain’t true.  Point is, it’s become terribly necessary to toot my own horn.  Remind myself.  As much as I feel like a jerkoff, I’m still getting work done.  I’m not moving at the speed of my heroes and I may never.  The only way a little light’ll get in, and the only chance I have in this chase, is that I voice it, here and to the universe.  That even with the proof of shows and print and interviews and performances, I still feel nowhere.  And even though I’m not nowhere, and am in fact somewhere, I know I could do so much better.  If I can’t rightfully say that I’ve beat depression, I’ve certainly won the round.  I haven’t smoked a cigarette since December and I hardly ever have the urge to drink or drug.  The difficulty is this yearning for otherness.  I’m stable.  Clear.  And utterly boring.  This way of feeling reminds me of similar crossroads in my life when I knew I’d have to perform-do work or die.  I can only imagine that this time I’ll be able to hit unimagined heights.  I’ve got sobriety and health on my side.  A stable gig, money saved and lots of time.  I hope to see you on the road, good reader, and the next time I get up I plan on jamming this fucker all the way home.

TOURDRIVER#3

Rita the real estate agent
met you in the lobby of the Westin
on the 4th of July
the boys had been calling me all night
the light rig on the trailer was shredded
we’d have to travel by day
and even then we’d be lucky
not to get pulled over
I ate a 20 bag for breakfast
washed it down with a couple Coors Lites
you gave me your card and told me to call you
if I was ever back in town
I haven’t thought about you
since that terrible morning
the highways lined with troopers
the country marching off to war
crawling back to New Orleans
on the 4th of July.

Poem 21b/30, written for National Poetry Month on 4/21/15 at 11:05:19 pm.

 

NEW BEATS

in a rented Nissan we bombed about

what was rebuilt or being rebuilt

in that macabre city under the sea

Saint Bernard preached of the East Coast

a realness he needed bad and would get

when they docked in NYC, CT bound

he told me to keep it, that I didn’t

have a choice anyway

he was following the progression of jazz

they’d be razing the cane anyway

phantoming what could’ve been

fingers of smoke curling

into a wreath of the past

I should find a way to get back out

on the road

until he found Miles he wouldn’t be

coming home

almost taken by the frost

for a witchy reason
she leaves the tall panes wide
and thick gulf air washes
over us as we sleep
her black stockinged legs
cobweb over me until
I’m dreaming of our Fathers

always get so lost in this city

that, as she says ,
“The dead can visit.”
never land in her eyes
over hot cups of chicory
in the damp morning
with the Crescent City on my skin
New Orleans my always love.

mon vieil ami

Take two…

Going for the Throat

I broke down and bought a pack.  Smoked one on the roof in the cold.  I thought of her and her California.  Missed her like I often do.  It was the end of a blue day.  At the end of a blue year.  Nothing out of the ordinary for me.

I’d found a way to own my blues.  They publish it, this publishing house.  Back in my hometown.  I could write about bullfighters tonight, or do my “fiction” about heartbreak.  But there’s no magic left in it and nothing miraculous about the arena anymore.

There was a time.  When as matador I could take it on.  Sit behind the President XII and the bottle and work it out.  But you get up.  And you get over.  Maybe look back longingly over the black canyons of Major Depressive Disorder.

I spent allot of time down there.  With some true companions.  They…

View original post 261 more words

Give Us Your Heart

The kids today, maybe they the like the smug “joke on everybody” that contemporary rock bands perpetrate.  Rock and roll is serious business for me though.  The joke ain’t funny, rather, it feels like the joke is on me when I have to suffer some of the acts kickin it in the underground postNevermind.  Conversely, I am profoundly affected and appreciate rock and roll with the element essential of any great band: heart.  I want the heart and I need it bad.  I don’t care about fashion or irony when it comes to rock and roll.  Give us your heart or go home.
What gripped me the first time I saw NOLA’s Lovey Dovies was their heart.  They play LOUD.  There must be something in the water in New Orleans because the Lovey Dovies have that big, thick&ominous, sludge-like sound so common in bands from the Big Easy.  The guitar is thick, crunchy, distorted, heavy.  The drummer is just bashing his kit. He lays down some of that sloppy, destructo-swing that comes naturally when you’re playing from the heart.  The bass has a high, trebly and punchy tone.  Its melodic and obnoxious in a pop punk way.
I was riveted by their set during SXSW last March but it wasn’t until I got home and listened to their CD that I discovered what I love so much about the Lovey Dovies.  They could be a pop-punk band, if said pop-punk band had to trek through the ruin&mire of the swamp state to play a show to 10 people in the Live Music Capital of the World and mean it.
They’re raucous and loud but underneath it all is a real vulnerability.  The melodies this band plays, that guitarist/frontman James Hayes sings, that the underground could dismiss as pop in disgust, they’re full-on and out in the open.  It’s not campy or sentimental.  It’s not weak.
These guys sing about heartbreak the same way that bands like Tad from Seattle did before that Great White Hype of grunge in the 90s. They come and bleed with a sincerity that reminds me of Promise Ring warehouse shows back in Philly.  These guys are the real deal. James lays his heart out for her.  She doesn’t want it, he gets hurt.  Then the band explodes into it.  They bore through sadness in such a punk rock and adolescent way, without a hint of irony and couldn’t care less how it looks to be heartbroken.
Their eponymous debut is the soundtrack to the end of my lonely summer.  I had just got back from the pool when I put the CD on.  I took off my summer shirt, my shorts.  I hung them with the towels on the terrace outside.  It was getting cold out there and the sun was setting.  I put on my longsleeve blue sailor’s undershirt and my black knit cap.  The summer was over and I’d lost the only person who meant anything to me in the whole damn town.  That’s what the Lovey Dovies sound like to me: the sound of summer being over with no one around to care.

(Please read the interview I did with the Lovey Dovies here.)