Jim Trainer

Posts Tagged ‘bernard pearce’

…for your young idea…

In Fugazi, hometown, music journalism, music performance, new journalism, Performance, Philadelphia, punk rock, straight edge, youth on March 30, 2017 at 3:05 pm

“Fuck all that shouting, nothing happened!”
Billy Idol

The rise and fall of the post-Nirvana boom I don’t care about. I think we can all agree it didn’t represent a takeover of anything.
J.Robbins

There’s always room for bros.
Alex Rawls

Rock and roll was a dangerous weapon, chrome plated, it exploded like the speed of light, it reflected the times, especially the presence of the atomic bomb which had preceded it by several years. Back then people feared the end of time. The big showdown between capitalism and communism was on the horizon. Rock and roll made you oblivious to the fear, busted down the barriers that race and religion, ideologies put up.
Bob Dylan

And after two years of trying our best to convince you that all these things were true, it turns out that we, the media, were the ones who were lying.
Brian Joyce

I’ve been listening to nothing but live Fugazi.  They’ve got to be the greatest rock and roll band of all time.  That’s only slight hyperbole, used to convey the utmost respect and admiration I have for this band.  Throughout their career they managed to maintain form as content. Despite a complaint against the proselytizing of singer Ian MacKaye, the lyrics of Steady Diet of Nothing show a marked shift from direct moralizing into more abstract and artful tropes.  Fugazi will always represent the spirituality of salt to me.  Without drugs or alcohol, they explored deep and archetypal forms-which is a very fancy way to say they managed to let their imaginations run wild without any outside influence.  It’s very pure.  In “Latin Roots”, co-frontman Guy Piccioto’s journey of a regressing young adult laying on his parents’ bed and falling backwards through the centuries of his genealogy, happens without even the smoking a cigarette.  Perhaps this is only how I imagine it, I’ve conflated the narrator/performer/writer with his subject matter.  It only speaks of the mythology at work with this band, as there is with any great band, performer or artist.  The other thing Fugazi share with great art is that they’re in the air, or, in the water, as poet Bernard Pearce wrote.  Fugazi is the east coast, where I grew up and first saw them perform, at 15, in the gymnasium of Drexel University in their backyard of Philadelphia.  They’ll always sound like adolescence to me.

Fugazi will always be crystalized into one moment, walking down some forgotten street in Clifton Heights, as a 14-year-old skinhead, being picked up by one of the only skaters in High School at the time, him having their s/t album on cassette, rewinding it to the beginning and listening to the whole thing.  So many things are gone from the day, the most tragic being a time when I could holler out and hop in the pickup truck of someone I didn’t exactly know but trusted more than family because of how he wore his hair and the fact that he knew.  We knew.  We knew what was coming, what was happening, and it wasn’t punk rock, that was our older brother-the generation before.  This was now.  This was brand new and it was kids, like us.  They were just like us.  That feeling would last until the release of Nevermind 2 years later, when jocks and squares started dyeing their hair and it all became a silly fad-repurposed and sold.  Fugazi continued touring and putting out albums throughout it all, until the apocryphal announcement of their hiatus at the dawning of the New Century.

Fugazi will always be a winter band. There’s a resourcefulness that comes from living in winter climes, and I always think of them with their knit caps on, a chill in the air and chimney smoke mixed with the smell of wet stone just before it snows.  I’ve become a new man so many times while listening to them, on so many levels, not the least of which having shaved off my long hair and starting High School, a new man but barely one…in the Fall, which is when I received their last album from WKDU’s Stevie D., and played the whole thing front to back on a Monday evening just a short walk away from the gymnasium where I’d seen them play 13 years before-they sounded ebullient, and they always will, jaunty and fresh and political, just like youth.

FUGAZI

 

 

 

 

 

 

Buddhas On The Road

In alcoholism, anxiety, Austin, Being A Poet, Being A Writer, Being An Artist, blogging, day job, depression, getting old, getting sober, going for the throat, Jim Trainer, media, mental health, mid life, middle age, music performance, new journalism, new orleans, on tour, Performance, Philadelphia, Poetry, poetry reading, poetry submission, publishing poetry, punk rock, recovery, self-help, singer-songwriter, sober, sobriety, Spoken Word, Submitting, submitting poetry, TOUR, travel, travel writing, Writing, writing about writing, WRITING PROCESS, yoga on September 10, 2016 at 6:53 pm

“Fuck Yoga,” my partner was saying, “you should take up boxing.”
We were on the long slink into Texas from Louisiana.  Crossing the gulf coast underneath godheads of clouds that rained on us as we passed.
“Something where you can hit someone, and get hit.”
I was wound tight but it wasn’t the traffic.  It wasn’t from my third cup of gas station coffee either.
“Just sit back,” I told him and eased the stereo up to 10.
Suddenly the rain broke and the road wound long to the horizon.  A good sign.  I rolled the windows down.  My partner fell asleep without another word.

The close quarters of a black 2016 Hyundai Santa Fe were enough to make us buggy, rolling down the windows or reaching for the stereo, a set of earphones or a piece of gum.  Any way to create some space.  My partner slept for a lot of the drive.  Most in fact, which was ok, and much better than unsolicited advice about my “short fuse” or spartan road diet of sliced apples and bread and cheese from Starbucks.  It wasn’t all bad and in fact was mostly good.  We had a good run and he offered encouragement with his criticisms, especially after my set at Siberia on Saturday.

The gist of it is that in twenty years of booking bands, Bernard can spot talent and according to him I’ve got it.  As much as I’ve heard that over twenty years of performing, his words sank in, really got in there.  It was undeniable and I heard him.  He also offered that maybe the dayjob shouldn’t be anything but.  When I told him my plans of riding my caregiving gig as long as I could he said it was a mistake.  I heard him, too.  This blog ain’t about him though.  At least not specifically.

This post is about a life devoted to the creation of Art.  An attempt to disabuse myself of fearful notions that have only kept me doleful and caged.  I took the safe route.  Perhaps.  I still made Art.  In Yoga this morning I realized that everything I think is just that-what I think.  This is some powerful medicine, Brothers&Sisters, and between the kind words of my tour partner and the self-realization afforded one on the Yogic path, I can see out.  I ain’t so scared anymore.  So, then- what am I waiting for?

I don’t know.  But my laziness knows no bounds.  There’s been a lot of fucking about since we pulled off LaTex Road last Monday.  I started back working full-time, which ain’t easy.  I’ve submitted some work and attempted to book some.  But much like when I was smoking and boozing and knew I was not living authentically-I know now that I’m not at 100%.  The details of it are shameful.  I don’t know why you’d want to read about it, but you do, and for this I am forever thankful.

Philly is the last to be booked on my east coast mini-tour.  Perhaps that’s how it should be but I’ve known about these dates since May- when I pushed back my usual June shows to September, and added Boston and NYC.  Some shit fell through.  Mostly unforeseen but now I know.  Also, I don’t need to be reminded that throughout my endeavors I will find a way to blame myself, to prove that I’m not good enough or worry about screwing it up long enough to actually screw it up.  Fly into Boston at twice the cost of a ticket quoted in May, without radio, without a local third act and without a place to stay.  Not to mention without New York City booked at all.  Some shit fell through.  Other shit I worried myself into a fit over, while doing nothing but laying on my back and masturbating.

Shameful, I know.  It’s fucking crazy being me.  I don’t know what I’d do without you, good reader.  I’m still kicking against it, the blues, insisting on this life and burning down the savage road I first stepped foot on over twenty years ago.  I’m still fucking it up colossally too, making twenty year old mistakes.  It’s as if I’m doing this for the first time, which, in a way, I am.  Sober.  Completely me.  Raw.  Nervous.  Wanting a cigarette so bad I could cry, at times, but knowing that my pain would only stop there.  It’s quite the ride Brothers&Sisters.  I’m quaking in my boots.  I’m nervous and raw and completely me.  Still after it.  Still alive.  Still going for the throat.

Namaste

There is no Buddha but the Buddha that you are.  If you meet the Buddha on the road you haven’t understood what the Buddha is. It is none other than your original mind. The idea of seeing the Buddha as outside of your self is conceptual-as is “becoming enlightened.” One can not become enlightened because that would assume that you are gaining something that you don’t have. Your basic nature is enlightened, awake, free, non-dual. This is completely experiential and not conceptual.  You have to kill the concept of Buddha both inside and out.
JJ Simon

 

 

 

 

Nicorette Blues

In anger, anxiety, Being A Poet, Being A Writer, Being An Artist, blogging, Charlie O'Hay, day job, depression, Don Bajema, getting old, getting sober, Jim Trainer, media, mental health, mid life, middle age, new journalism, new orleans, on tour, Performance, Poetry, poetry reading, politics, self-help, singer songwriter, sober, sobriety, songwriting, Spoken Word, therapy, TOUR, travel, Writing, writing about writing, WRITING PROCESS on August 8, 2016 at 10:49 am

The blog’s been on lockdown.  Letter Day.  Poetry and songwriting-don’t get me started on songwriting.  We’ll save that can of worms for when we’re up the road a piece, with some space between me and this anxiety ridden nest of calendars and seltzer cans, Amtrak itineraries, rental car agreements, press releases and road maps.  It’s a mess.  I’m excited to get out on the road with wonderful poet and friend Bernard Pearce in a few weeks.  I’m looking forward to hitting the east coast with Brothers Don Bajema and Charlie O’Hay in the Fall-and I feel compelled to this life.   It’s time to transition out of that old skin-book the dates, order merch, press the EP and sink deeply and irrevocably into a dream.  But it took me 4 days to send 2 emails last week.   I’m sunk with the day job, sometimes sleeping and lying around for the whole shift.  My identity as an Artist isn’t on the line.  My heels aren’t licked by the maleficent flames of personal anguish.  I ain’t on the run.  Everything is fine and it’s not fucking fine. I don’t need to write myself out of anything-unless it’s this, six hundred words with myself and with you, good reader, to stir the pot and galvanize, get this rig the fuck unwound and smoke the day job with real work.  Because in the meantime it’s been torture.  I’m slothfully doubled down in middle class comfort.  I eat ice cream by the pint and take naps on the hour.  I hit literary target and I’ve smoked the idea that this is a hobby.  But instead of getting to it, I’m horizontal, watching old episodes of The Howard Stern Show and listening to Henry&Heidi, or worse.

I’ve asked you to consider me, the Artist-consider my work and know I’m here and what I’ve come for.  I had a breakthrough in therapy when Ol Don Jones said
“We’re just gonna do away with you thinking that you’re not an Artist.”
So we did.  And now I’m out here in the wide world.  Blowing off ordering more books.  This morning I wanted a cigarette more than, in the last 8 months, I ever have.  I needed something to bring me out and set me straight.  I jerked off and laid down, tried to sleep off a caffeine headache and forget that today is a day I won’t get back.

I try to keep in mind that I’m lucky.  I’m closer to living my dreams than I’ve ever been.  I’m practically straight edge, unless you count Nicorette-which I chew incessantly.  As good as life’s been to me it feels pretty fucked and I guess there’s no one to blame but me.  I feel locked in, stuck and without drink or drug or sex  I often have nothing to reach for.  Just these words and you.  So I do.  It don’t take much to bring me around.  Five or six hundred words with you and the undeniable power that comes, if not from solving, then identifying the problem.

We start where we are.  Now we begin the practice of Yoga.  Were it not for this blog and our time together, I might have stared down another couple hundred baleful miles of Facebook feed or engaged in self-important dialogue and discourse on the Dog and Pony of Presidential politics.  Without this blog, I could’ve wasted the diminishing hours of my life fucking off in any myriad of pointless and self-destructive American ways.  Of course I could’ve done nothing but then that’s the fucking problem now isn’t it Pilgrim?  I can see the problem.  It has been identified.  The enemy is within my sights.  Writing like this.  Banging on the temple door.  Going for the throat.