Jim Trainer

Archive for the ‘Performance’ Category

More News From Nowhere

In alcoholism, anger, anxiety, art, Austin, austin music scene, Being A Poet, Being A Writer, Being An Artist, blogging, blues, Buddhism, buddhist, day job, depression, employment, getting old, getting sober, journalism, media, mental health, mid life, middle age, Music, music journalism, music performance, new journalism, news media, on tour, Performance, Philadelphia, Poetry, poetry reading, punk rock, recovery, self-help, self-publishing, singer songwriter, singer-songwriter, sober, sobriety, solitude, songwriting, Spoken Word, straight edge, suicide, TOUR, travel, travel writing, working class, Writing, writing about writing, WRITING PROCESS on August 3, 2017 at 2:14 pm

…it all just seems so sensationalized.
Aziz Ansari

I know ppl like u think it’s “cool” to theorize about quantum fluctuations, but the heat death of the early universe isn’t something to romanticize.
Frances Bean Cobain

…I say hey Janet
you are the one, you are the sun
and I’m your dutiful planet…
Nick Cave & the Bad Seeds

This Guns N’ Roses weekend is over.
-Your Writer on Tour with Ironwhore, July 2005

Waking up with a hardon is the best thing to happen to me in years.  Never mind I quit smoking, drinking and the Life, that I’ve published three collections of poetry and prose and survived as a working singer songwriter for the last 5 years, or that we just wrapped 4,484 miles pulling in to Hippie Town at 9pm last night.  Waking up erect is good news from the Gods, like we’re gonna win this thing.  Know what I mean, good Reader?  As we were leaving Austin 19 days ago, it dawned on me that I probably have arthritis, if not in my left middle finger, then certiainly on my right thumb.  Anyone reading this blog on the regular knows I haven’t caught my breath in over a year-and there are other, less savory conditions and maladies that’ve fell on me in these paling years, not the least of which being a lack of libido.  I let it all slide, rather than jump through the bureaucratic hoops of health insurance that only led nowhere-but decreased interest in sex was, at the time, viewed as an improvement.  Sex seemed to always land me in trouble somehow, and, by and large the partners I had were colossal wastes and the biggest drains of my time, on my health and my career as a day worker, writer and performer.

The truth is I’ve let a lot of things go.  I’ve insulated myself from the world with this gig.  I’ve maintained at minimum, and pushed harder when I needed to, but when I look back at the last 5 years and think about the fact that I’m 42, I’m terrified and disgusted-the former boring through nights pocked and shot through with anxiety, and the latter beating the opposite sex to the punch.  I couldn’t fuck and I didn’t want to.  It’s called depression, and low self esteem, which can intermingle in a vicious cycle that the worst people will blame you for, but actual compassion for, even if welcomed, can veer too close to commiseration and in any event is a shit substitute for understanding.  The silver lining is the coffee’s done, it’s time to wake up, this gig is over in less than 2 months and, like the Buddhists say-the best time to start was last year, the next best time is right now.  Lest we forget, I taught myself how to write these last 5 years, and the dream of being a columnist has been realized, thanks in no small part to you and your wonderful Readership.  I’ve got a 2009 Monk’s Robe Orange Honda Element and a Tacoma Guild.  I live in a post-gentrified Paradise and every dumb ailment and malady I’ve mentioned can be treated by swallowing a pill-ok, I still need to look into why I can’t catch my breath, it’s true, and wish me luck as I enter their world and try to get the help I need.

This blog has always been the balloon to my wet cement blues.  I talk myself down from the noose here, and you read me and it’s perfect.  Healing myself with my own medicine bag, sitting down to type and hang it on the fucking wall, feeling supported and, most of all, seen by you is terribly important to me-a rudder in the shitswells of a dark and calmitous world, the biggest boon and best thing to happen to me in years besides waking up with a hardon this morning.  Oh yeah, that.  It seems like the weeks get away from me.  I mean, sure, I work full time, and I just spent 18 days on the road with my Boss, but time gets away from me-that is, the time to address the many peccadilloes and tragic breakdown I’ve been skirting since I turned 40.  I feel like I should address it, tacitly, get up on it like Ahab, and chronicle the savage journey I’ve undergone since deciding to stop being depressed (I am NOT saying that this decision cured my depression AT ALL).  Brother Bean has asked for it, in the past, and I feel like I’d do well to bring it back for you-hip you to the saga of a working class ex-Pat punkrocking rockabilly New journalist with a a whole lot of time on his hands, a new car and a rekindled libido.  I’ll still try, good Reader.  You bet.  But I’ve got to wrap this.  I still believe in my dreams and I feel like I’ve got something to live up to, until the next time we meet, so I should get cracking.

May your crown be a halo.  See you next Thursday motherfucker.

 

 

 

 

 

Have Heart on the Hard Road

In alcoholism, anger, anxiety, art, austin music scene, Being A Poet, Being A Writer, Being An Artist, blogging, Buddhism, buddhist, day job, death, depression, employment, getting old, getting sober, going for the throat, Henry Rollins, mental health, mid life, middle age, Music, Performance, punk rock, singer songwriter, singer-songwriter, sober, sobriety, solitude, song, songwriting, straight edge, suicide, travel, travel writing, truth, Writing, writing about writing, WRITING PROCESS on July 27, 2017 at 1:53 pm

You should learn how to feel sad without actually being sad.
-Laurie Anderson’s Buddhist Teacher

Self-editing is humiliating. I didn’t start a blog called Going For The Throat to censor myself. There have been times over the years and I’m sure I’ll be called to do it again, for whatever dumb reason life may deal me at that moment. Admittedly, I’ve steered away from skewering certain individuals because it would’ve only esteemed them. Those come out in the wash, though. It took me a couple years but I was able to call out certain cunts on here who’s name I never would’ve mentioned before. Of course there are professional considerations, but if you’re a dayworker like I am you have very little control or catharsis-I’ve found that biting your tongue on a shitjob only rears in the end. You can abstain from speaking your mind but if some boss deserves it, it’s only a matter of time before your hands are on him in the alley behind the break room. Things have their way of working themselves out. Living in fear is worse than dying which might soudnd idealistic to you but any jerkoff who posts at least 600 words about himself on the world wide web every week isn’t playing with a full deck of practicality to begin with. What that means is if I’m crazy enough to dream it, you know I’m just plain crazy too. Self-editing, or censoring, is bullshit and I only do it if I’m at an impasse. If I’ve stared at the same post, and re-read it enough times to know it by heart, then it’s time to flush it and start anew. This isn’t poetry. At best, Going For the Throat is a gun-I’d only point it at you if I’m shooting to kill.

Greetings from the Hewitt Lake Club, Population 7. It looks like rain on Lily Bay, but it’s looked that way since 9. The sky is turning silver, there’s a low thunder rumbling and a high wind swaying the gingkoes and lone evergreen to the left of the screen porch where I write this self-censored post. Whether it rains or not means little. I’ll be wet by the time I get to the greasy barn and it’d be great to build a fire in the pod. Two days ago I would’ve had a completely different answer, with Ben in Brooklyn and the rain coming down it was just me and Blair sitting around the fire-in our pod, all day long. I was worried my resentments had ruined this trip, but woke up charged, on my day off yesterday, bounding out of bed at 6:30AM and writing over a thousand words about the horrid grind my life has become. Thank Christ that’s over with.

Out on the drive behind the cabin, by the garage where I sing, working on a tune called It’s Been A Long Time That I Should Be Far From Here-I realized something. Music, songs and songwriting, lyrics-these could be the last haven for wonder in these paling years. Fantasy. Myth. What I’ve rued since giving up the life-otherness, lust, change. Of course the fear is that perhaps I only use songs to help me through rough and large transitions. SWAMP EP, for example. I must’ve buried 3 exs alone by the end of The Winner, SWAMP‘s opening track. I resolved some issues I had with my dead Father in So Many Roads, acknowledged that I loved her in Back (I Want You) and laid out LA Telegram and Back In The Game like a dream map of the South, the Rockabilly Night and my new Spring in Austin ever dawning. I’ve penned some tunes since then and unearthed even more. I wrote down the titles to anywhere from 12-15 solid songs, songs that I’ve written that I like…which ain’t bad for someone who thinks he doesn’t write enough songs. So the fear is that, at the end of this ordeal, I’ll have 3 or 4 tunes that have helped me through, but I won’t be closer to my songwriting heroes. I’m sensing a theme here, and just wrote to Compatriot Cole this morning about never realizing what I call the Rollins ideal. Oh well. At least with songwriting it’s easy to keep in mind that it’s good work if you can find it. Songwriting is a different kind of spell-it’s writing and self actualizing but it involves the Gods on an intimate level. As a songwriter you can become anything (or anyone) you want to be. It’s instantaneous and only a fool could ask for more.

When peace comes it’s profound. The blood in my head sinks at the same rate as the sun, and I’ve expereienced dusks here both utterly sublime and completely ordinary. That’s all I ever wanted. I don’t need fireworks. I never wanted Heaven though I guess I settled for Hell. Didn’t I Brother. I never wanted a panacea or a cure all, but that could be depression talking (why bother trying to feel good when it’s such a short ride from the good life to the blues?). Know what I mean Sister? Life is…life. I got a good feeling about leaving this gig even if I only heard back from 3 of the 20 booking emails sent out from the greasy barn last Friday. I wrote another verse for an old tune and revisited one that’s been brimming from the heartlid before 10AM yesterday morning. This tenuous balance, periods of synchronous bliss coupled with torrid maelstroms of anger and irritation, sounds like life to me and of course there’s so much more I could do.

Sorry for the hodge-podge, good Reader. I tried to salvage the high points of my charge and kept the low points of the original missive to myself. No good deed goes unpunished ain’t it though, ’cause now I’m out here in the garage writing this. I flew the screen porch and came out here to wrap this fucking thing. Our pod got too full of good vibes and company, no room for me and my bitterness, which, truth be told is only killing me. Jill just walked by and said I could turn on the light if I wanted to. I told her I’d just suffer in silence and we laughed, this 86 year old Artist and me, hard, because she’s right. I could turn on the light if I wanted to.

Beautiful Friend

In alcoholism, Austin, austin music scene, Being A Poet, Being A Writer, Being An Artist, blogging, day job, depression, employment, getting old, getting sober, journalism, Kevin P.O'Brien, media, mental health, mid life, middle age, Music, music journalism, music performance, new journalism, news media, observation, PACIFIST, PACISFISM, Performance, Philadelphia, Poetry, police brutality, politics, PROTEST, publishing, punk rock, recovery, self-help, singer songwriter, singer-songwriter, sober, sobriety, solitude, straight edge, working class, Writing, writing about writing, WRITING PROCESS, yoga on July 13, 2017 at 4:49 pm

Let’s focus on the steak, not the peas.

-Minchia

Liberals want our country to be more like Canada. Conservatives want it to be more like Mexico.

-Realist

Raising a kid with medical needs is a very, very steep climb in the best of circumstances, and so when we say Medicaid is like the handholds that you’re using to scale up and get your kids to help-without those, there’s nothing below, there’s no safety net once those supports get pulled out, you just fall off the cliff.
-Robert Howell 

If they were to collaborate they could strangle data access to parts of the internet, it’s not an understatement to say they could influence history.
-Elliot Brown

One need only look closely at such drag queens as Michelle Visage or Violet Chachi on the RuPaul show to suss out the cruel, cold-blooded lizard that lurks behind the eyes of the Illuminati elite.
-Stephenson Billings

What the hell.
-Jared Yates Sexton

I wish I had let go long ago.  Not long after I quit smoking I began to experience a shortness of breath.  I’ve had to teach myself to sing again.  Psalmships’ “Little Bird“, again and again.  Up high in the mountains of Minerva and out here on the blistering plains.  What felt like the broken middle finger on my left hand has moved to the thumb on my right.  If it’s arthritis, then, what the hell?  I should’ve never quit, shoulda kept drinkin’ and womanizin’ and waking up dead in a dead confederate palace, with my pants at Kim’s pool and the aching yellow sun splitting my skull like a shiv, until I could down 400mg and tell her to get…OUT. It’s painfully apparent, these are the end days.  I should’ve never left the life but I wish I’d let go a long time ago.

The stupid truth is the life never helped me let go either.  I was as hung up then as I am now and drugs never worked.  You’re not going to believe me but I could never enjoy myself on drugs because I knew it was only a drug.  How terribly unfun and what a fucking drag, eh Brother?  The closest I came was on mushrooms down at Stone Harbor, on the shore in the dark, with the Reverend and Butch as a storm rolled in. I lost myself that summer but never before and never again.  I’ve kept myself locked tight, fought against it in my 20s but embraced it until now.  I perfected my isolation and my Father’s poker face.  Like him, the world only hurt my feelings and to be obvious was to be played. What the hell? How did this thing rear and turn into a psychoanalytical journey and examination of why I’m no fun but still wishing for the days?

Oh well, if it brings us to the truth then I can live with that.  However we got here, we’re here, and these days I prefer to drink dark coffee with honey, read the news and pretend I’m smoking cigarettes in my mind, like a mid-life Cassavetes and type here in the center of a crumbling palace amidst:  piles of poetry collections, poster-pressed covers, a copy of Hunger Makes Me a Modern Girl, CDs and receipts and guitar strings, stacks of typed and handwritten poetry-edited in red ink, the trusty NAS plugged in and humming beside and a cold cup of Italian Roast, in the blasting AC in what I thought at one time was the center of the Rock and Roll universe, in one of the most expensive zip codes in the country-the Pearl of the South and the Velvet Rut, Austin Texas Hippie Town U.S.A.

Incidentally, that moniker and euphemism for the good vibes and pretty white girls that grow on trees down here has become outdated.  All the hippies live in Smithville now and I’m outta here, too.  Call it The City of Izods&Boots, or, the Town of Technocrats or simply, Bro Country.  Call ’em the New Rich or Fancy Dog Walkers, call ’em whatever you want because I am outta here.  It’s been a long time that I should be far from here and 5 years since I wrote that elegiac paen to my departure from the barrio.  Facebook says I been on there 8 years today, which makes for an interesting capsule of my time down here-beginning with my very first post, a video of Cory Branan singing “Survivor Blues” and ending with, well, “The End” by The Doors.

I’ve learned a lot.  I’m a different man.  I’m making the seismic changes that come from staying in place.  It was real and it was fun but it wasn’t real fun.  I’m staying on this side of the river but I am getting the fuck out of dodge.  I’ve got 4 gigs booked in the next 2 months and 2 pages of contacts on legal yellow, letter-sized paper.  Work in media suits me.  I don’t mind the world, from a good safe distance, and writing about it transforms it somehow, makes even the horrid and unconscionable worth going through.  I’m a fire walker on here, a hard bitten scoop in the hard lands.  And, lovely and overwrought I bring it on home to you, good Reader, my Friend.

See you in Hyde Park motherfucker.

The Area of Pause

In alcoholism, Austin, austin music scene, Being A Poet, Being A Writer, Boredom, day job, depression, getting old, media, mental health, mid life, middle age, music performance, Performance, published poet, publishing, publishing poetry, punk rock, recovery, self-help, self-publishing, singer songwriter, singer-songwriter, Spoken Word, suicide, Writing, writing about writing, WRITING PROCESS on July 6, 2017 at 3:01 pm

There is nothing more tragic for a parent than to lose a child in the prime of life.
President Trump

In general, “The president has tweeted X.” is an overblown story.
Rachel Maddow

They think we’re stupid. And maybe they’re right.
Jonny Coleman

Attacks on established knowledge have a long pedigree, and the Internet is only the most recent tool in a recurring problem that in the past misused television, radio, the printing press, and other innovations the same way.
Thomas M. Nichols

People don’t choose the President anyway.  America is not a democracy. America is a Republic. 

Dr. Umar Johnson


Learning to kill
is a matter of habit

The more you have done it,
the better you’re at it.

Izhar Ashdot

July 6, 2017, 1:01PM
Hippie Town, USA

Quiet as a tomb up here in the high rooms.  Not even a blower on Judge’s Hill.  I’ve just consumed a week’s worth of media over a cold cup of Italian Roast.  Last night, Doc&I went out to Cold Town for the return of Austin’s No Shame Theatre.  We both told stories about The America, as Uncle Hank calls it, this young frontier of bounty and bloodlust.  Nothing has changed since last week, although some of you might’ve lost your shit a little.  The President said or tweeted some things, I’m sure, and North Korea had its own fireworks display as the world turned darkly on.

This War Room has everything I ever wanted.  A MacBook, replete with its NAS, plugged in and humming beside, an extra monitor, a pair of Nearfields on the floor and a Lexmark copier/scanner/printer on standby.   I feel better than I’ve felt in weeks.  I should be out this shitshow by late September and I’ll need to start compiling the poetry and prose for this year’s collection, due out through Yellow Lark Press December 1.  We’re heading out in a couple weeks, and doing roughly 3,000 miles up to New York and back.  It should be a thankless slog, rivaled only by the grisly heat of Texas summer if we stayed.

I’m apartment, or room, or house hunting-looking for something equally comfortable and private in which to plot and amass and roll out the grand machinations of this dream.  To play every night and write every day has been my goal and charge for as long as I can remember.  I’ve been maintaining both at dayjob levels and even sacrificing a little of my artistic life for this gig.  That was a mistake but nothing compared to the last 5 years of my life, which is a dangerous way to think-a dark focus that could shame every thought and endeavor I’ve had since dropping out of music school and going homeless in the hometown at the dawning of the New Century.  Brother K.O. has offered me a place on tour with the Dropkick Murphys, tenting every show and working for the Claddagh Fund.  The road is always calling, like it did then and it does any time the present moment catches up with me and hangs itself around my neck.

This terribly blasé post could be summed up in a few different ways.  We could frame it as duty and say that even without anything to report, I’m reporting-the medium is the message.  It could be psychological-a check in and my way of keeping us connected.  It could be even more personal than that.  You either hang yourself or hang it on the wall, right Brother, and week after week we’ve been thankfully and sometimes begrudgingly doing the latter.  To the chagrin of a cold world we’ve been holding on to each other, and isn’t that nice?  The truth is that this is a pause, and, I’ll even offer, a moment of gratitude.  I’m going to need my strength and you, too, very soon.  You can bet I’ll be coming for you in these coming months.  We all need someone to bleed on, and in these grim, outrageous and diabolically narcissistic times, in this cultural freefall and with the death of our Mother, a little bit of peace and quiet can feel like Heaven.  It’s a good chance for us to remember the others out there, ease back into it, this lull in the terrible summer and suffer some contentment for a change.  The worst kind of trouble is no trouble at all, right Sister?

Is fear rith maith ná drochsheasamh.  

Peace and love to you, motherfucker.

Eunuch Blues

In alcoholism, anxiety, Being A Poet, Being A Writer, Being An Artist, Bevan McShea, Charlie O'Hay, getting old, getting sober, hometown, Jim Trainer, mental health, mid life, middle age, on tour, Performance, Philadelphia, Poetry, poetry reading, punk rock, recovery, self-help, self-publishing, sober, sobriety, solitude, Spoken Word, straight edge on April 20, 2017 at 11:22 am

Recorded live at Brickbat Books, Philadelphia, September 2016

Catch Jim Trainer speaking in Boston next Wednesday April 26, at the Middle East Corner, with the Reverend Kevin O’Brien, Duncan Wilder Johnson, The Droimlins, and Jim Healy.
8:30PM, $5 advance tickets, $8 day of the show.  Please click here.

Jim Trainer will be speaking and reading from All in the wind, his latest collection of poetry and prose, at Toast Philly on Thursday April 27 with local favorites Charlie O’Hay and Lamont Steptoe.  
7PM, Please click here.  

Jim Trainer returns to the Mill Street Cantina for a special 90 minute set on Friday April 28.  
9PM, Please click here.  

Won’t Stop

In austin music scene, Being A Poet, Being A Writer, Being An Artist, Charlie O'Hay, hometown, Jim Trainer, Lamont B. Steptoe, music performance, National Poetry Month, new journalism, news media, on tour, Performance, Philadelphia, poem, Poetry, poetry reading, publishing, publishing poetry, punk rock, self-publishing, singer songwriter, singer-songwriter, Spoken Word, TOUR, travel, travel writing, working class, Writing, writing about writing, WRITING PROCESS on April 13, 2017 at 2:35 pm

…to live outside the law, you must be honest…
-Bob Dylan, Absolutely Sweet Marie

It’s a good thing I don’t care about what you think then, isn’t it?
-Your Writer on Facebook this week

Last week on Writing On The Air cohost Martha Louise Hunter asked me where I get the time to do it all.  God bless her.  We were talking about this blog and how 600 words a week is the least I can do if I’m going to call myself a writer.
“Of course there’s Letter Day,” I told her and cohost Joe Brundige, “and I’m posting a poem every day for the month of April celebrating National Poetry Month.”
I told them that All in the wind was book 2 of the 10 that will be published through Yellow Lark Press, beginning with September in 2015 and ending with a collection, as-yet-unnamed, in 2025.
“10 books in 10 years is great, a fine goal,” I went on.  “-but I’m only making up for lost time.”
Brother Joe and I share a symmetry, and experience the joy of communication that can happen between two stringently honest people.  It took appearing on the show twice for me to realize-I am doing the thing.  It’s good when that happens, as opposed to the slave driving I’m usually doing with myself and the crippling feelings of despair anyone reading this blog is, by now, all too familiar with.

I finally booked Boston.  I’ll be speaking at the Middle East Corner with the Reverend Kevin O’Brien and bussing down to Philly the day after, for the Philly release of All in the wind.  Joe and I recorded an episode of Chillin Tha Most at the mansion last week, and it should be on the net next Thursday.  Last week was the kind of week I’d like to have every week, with gigs and radio appearances almost every day.   I kept on pushing till the light of day.  Which is heaps different than the life I’m living in my head, where it’s never enough and I’m only a day working coward.  What’s next is complicated but simple in terms of intent.

I’m quitting this gig.  Moving out to the east side.  Minimizing.  Scaling down.  I’m not sure how it will look or how to even vaguely monetize poetry and the spoken word-but I’m full of ideas and already making half my imminent rent with the gigs I’m already playing.  It’s strange to be striking out now but hardly unlikely.  I’ve long since abandoned anything resembling the common tropes of being an American.  I don’t have any kids, don’t even have a girlfriend.  But I’ve got a passion for media and all forms of communication.  I hope to get further invested in print and broadcast media.  Before I fly out to Beantown the MAMU should be fully assembled and my next purchase will be a touring vehicle.

It took me a while to wrap my head around it.  I had to keep it to myself and it made me resentful.  I couldn’t talk about my plans on here, there was some bad blood about me leaving but there doesn’t have to be.  I’ve started paying my taxes, I got a new dentist and a healthy line of credit.  Everything is moving as it should.  My next venture will be some time researching topics for the blog, so’s to avoid the kind of soul searching pap and whine that she hates and can appear on Going For The Throat when its weekly deadline is on my neck.  Your ideas are welcome, as are paying gigs-do you have a story for me?  Can we find a way to pay my freight so I can come to your town, speak and play?  Please chime in, in the comments below, or drop me a line at: jamesmichaeltrainer@gmail.com.

This east coast jaunt will be a short one but I’m thrilled to be sharing the stage with the Reverend Kevin O’Brien, Duncan Wilder Johnson, The Droimlins, and Jim Healy in Boston.  The Philly release of All in the wind is stacked, with award winning poets Charlie O’Hay and Lamont Steptoe reading.  By the time I go back to work I’ll have played at least 3 shows on the east coast, sold some books and burned hundreds of miles.  I’ll be exhausted, which is how I like it, and plan to be in the coming months.  Into it, no stops, full bore.

See you on the East Coast motherfucker.

MIDDLE EAST CORNER 4:26

…for your young idea…

In Fugazi, hometown, music journalism, music performance, new journalism, Performance, Philadelphia, punk rock, straight edge, youth on March 30, 2017 at 3:05 pm

“Fuck all that shouting, nothing happened!”
Billy Idol

The rise and fall of the post-Nirvana boom I don’t care about. I think we can all agree it didn’t represent a takeover of anything.
J.Robbins

There’s always room for bros.
Alex Rawls

Rock and roll was a dangerous weapon, chrome plated, it exploded like the speed of light, it reflected the times, especially the presence of the atomic bomb which had preceded it by several years. Back then people feared the end of time. The big showdown between capitalism and communism was on the horizon. Rock and roll made you oblivious to the fear, busted down the barriers that race and religion, ideologies put up.
Bob Dylan

And after two years of trying our best to convince you that all these things were true, it turns out that we, the media, were the ones who were lying.
Brian Joyce

I’ve been listening to nothing but live Fugazi.  They’ve got to be the greatest rock and roll band of all time.  That’s only slight hyperbole, used to convey the utmost respect and admiration I have for this band.  Throughout their career they managed to maintain form as content. Despite a complaint against the proselytizing of singer Ian MacKaye, the lyrics of Steady Diet of Nothing show a marked shift from direct moralizing into more abstract and artful tropes.  Fugazi will always represent the spirituality of salt to me.  Without drugs or alcohol, they explored deep and archetypal forms-which is a very fancy way to say they managed to let their imaginations run wild without any outside influence.  It’s very pure.  In “Latin Roots”, co-frontman Guy Piccioto’s journey of a regressing young adult laying on his parents’ bed and falling backwards through the centuries of his genealogy, happens without even the smoking a cigarette.  Perhaps this is only how I imagine it, I’ve conflated the narrator/performer/writer with his subject matter.  It only speaks of the mythology at work with this band, as there is with any great band, performer or artist.  The other thing Fugazi share with great art is that they’re in the air, or, in the water, as poet Bernard Pearce wrote.  Fugazi is the east coast, where I grew up and first saw them perform, at 15, in the gymnasium of Drexel University in their backyard of Philadelphia.  They’ll always sound like adolescence to me.

Fugazi will always be crystalized into one moment, walking down some forgotten street in Clifton Heights, as a 14-year-old skinhead, being picked up by one of the only skaters in High School at the time, him having their s/t album on cassette, rewinding it to the beginning and listening to the whole thing.  So many things are gone from the day, the most tragic being a time when I could holler out and hop in the pickup truck of someone I didn’t exactly know but trusted more than family because of how he wore his hair and the fact that he knew.  We knew.  We knew what was coming, what was happening, and it wasn’t punk rock, that was our older brother-the generation before.  This was now.  This was brand new and it was kids, like us.  They were just like us.  That feeling would last until the release of Nevermind 2 years later, when jocks and squares started dyeing their hair and it all became a silly fad-repurposed and sold.  Fugazi continued touring and putting out albums throughout it all, until the apocryphal announcement of their hiatus at the dawning of the New Century.

Fugazi will always be a winter band. There’s a resourcefulness that comes from living in winter climes, and I always think of them with their knit caps on, a chill in the air and chimney smoke mixed with the smell of wet stone just before it snows.  I’ve become a new man so many times while listening to them, on so many levels, not the least of which having shaved off my long hair and starting High School, a new man but barely one…in the Fall, which is when I received their last album from WKDU’s Stevie D., and played the whole thing front to back on a Monday evening just a short walk away from the gymnasium where I’d seen them play 13 years before-they sounded ebullient, and they always will, jaunty and fresh and political, just like youth.

FUGAZI

 

 

 

 

 

 

“We are not the dreamers of dreams. We are the word become manifest.”

In alcoholism, Austin, Being A Poet, Being A Writer, Being An Artist, Charles Bukowski, depression, getting sober, going for the throat, hometown, mental health, mid life, middle age, new journalism, Performance, Philadelphia, poem, Poetry, poetry reading, poetry submission, Portland, published poet, publishing, publishing poetry, punk rock, recovery, self-publishing, sober, sobriety, solitude, Spoken Word, straight edge, submitting poetry, working class, Writing, writing about writing on March 16, 2017 at 2:25 pm

 

In Nine Hundred and Three Words

In anxiety, Being A Poet, Being A Writer, blogging, depression, getting sober, hometown, Jim Trainer, mental health, mid life, middle age, new journalism, Performance, Philadelphia, Poetry, poetry reading, published poet, publishing, publishing poetry, punk rock, RADIO, recovery, self-publishing, sober, sobriety, solitude, Spoken Word, straight edge, therapy, Writing, writing about writing, WRITING PROCESS on March 9, 2017 at 12:07 pm

…it is in the shelter of each other that the people live…
Pádraig Ó Tuama

Let’s keep hustlin’.
Brian Grosz

…without you my address would be the wind…
-from All in the wind

…you’re going to have to accept that a lesbian chainsaw dominatrix or two might be involved.
broliloquy

My name is Jim Trainer and I wish I was somebody else. I mean, there’s something in the way. I mean, I took the last 2 days off work, for my birthday and to “get some stuff done” and the result was only epic laziness. Lunch and gift swapping with a friend. Driving into dusk to see musicians perform in plays. Eating water ice and falling in love with Austin again. Before I chalk up the last 2 days to “not living my dreams” or being lazy, allow me to invoke the wisdom and language of psychotherapy, and ask-what am I getting out of it? The answer is dumb-I had a peaceful couple days with no torture, no monkey, no blues. Basically I was hiding. This doesn’t bode well. Psychologically speaking, I’ve set it up so I will have to live my dreams. Using the alchemy of inner dialogue I told my Self, “If you live your dreams I won’t come down on you for being a piece of shit.” There are so many ways to deconstruct this deal I have with my Self, and none of them are good! Ah, but don’t too wise, for writing is my rabbit in a hat, and this blog my weapon of choice-and this is how. By the end of this graph I have had some insight, a revelation that there within the dialogue with my Self is the kernel of it-the micro and the blueprint. My life has been always being 2 steps ahead of the whip.  What a fucked up way to live, let alone think and react.  Out of fear, like a slave or Catholic.  For shame.

Not to mention I feel great.  I mean, today I woke up at 7:45AM, like always, but I went back to bed after I put the coffee on.  I dreamt that my boss had wiped his hands on my tux shirt and when I went to confront him about it, his door was closed and his room was dark with a note on the door (and it was my Mother’s bedroom door wtf).  Tangential but relevant.  It’s a circus in my mind.  Fear is the carnival barker and the crowd has lined the tent 2 times round, clutching their dirty children and tickets in hand.  I’m sitting here typing this in the bright light of day with my Hugh Hefner robe over the clothes I wore to bed last night.  I feel rested, which is necessary.  Hell I even refused sex a couple weeks ago because the call came in after I was already in PJs.  Do you have any idea how baffling it is for the male mind to refuse sex?  It can short out the man-wires.  I woke up the next day confused and ashamed, like I had done something wrong-but I was so rested I forgot about it and got on with the day.  My point is I feel rested today, after 2 days of  hiding from the whip, instead of hustling 2 steps ahead of it, and somehow not being a “piece of shit”, according to myself anyway, the Mind.  In body I couldn’t feel better.  I just wish I was somebody else and here’s why.

It’s been a long time that I should be far from here. I know that my desire for the artist’s life is how I got this far. It’s not what I thought it would be and I know I could do so much more. Knowing you could be more is strange. Well, not strange-it’s evolution, it’s growth. It’s savage, amoral and bloody. Birth comes from death. Knowing you could do more is heaps more manageable, if slippery. I can’t say I’m not accountable to myself. I can’t say that there isn’t a chasm between who I am and what I’m doing and who I think I am and what I’m doing. It’s all so very twisted and fucked and I can’t see the bottom. All I can do is live my best today, try harder this time.  (Do you know how exhausting that is?).     It’s just so fucked because I know I’ll find myself here again. Dissatisfied. I need a life coach who’ll tell me that everything’s gonna be ok before she fucks my brains out and kicks my ass out the door.  Sorry.  If I’ve lost you it’s because I lost myself.

What I am trying to describe here is what has gotten me this far.  Dissatisfaction is why I dropped out of college, left the hometown, found work as a DJ, singer songwriter, orator and spoken word poet.  Dissatisfaction is why I spent weeks on the road, sleeping and driving for as many as 7 weeks a stretch, across Canada and the midwest, along the Gulf and up the West and East coast.  Dissatisfaction is why I’ve had 3 books of poetry published in the last 5 years and dissatisfaction is the sole reason that 2 of them were published by my own press.  Dissatisfaction is why I left Philly, and tried my hand hawking wares and doing everything from handing out lunchmeat to donating plasma to walking around campus dressed like a Hershey Kiss.  I’ve lost you.  I’ve lost me.  Is seeking and forging the life I want born of dissatisfaction?  Or is it something else?  Is knowing I could do and be more the same as hating myself?  That’s certainly how it feels.  And as far as how it feels, this, we know, is my remedy.  These 903 words.  This post.  This time at the knives, hacking and working it out.  We do it ’cause we have to.  As far as pace and productivity, goals and the ability to relax and unkink without fear that the whip will come down but yet still pushing on?  You know if I had the answer, good reader, I would give it to you.  Right before I fly out the door and hit the streets after the heart of this dream.  A lonely hunter indeed.

It goes on.

 

Won’t You Celebrate With Me?

In activism, alcoholism, anger, ANTI-WAR, anxiety, Austin, austin music scene, Being A Poet, Being A Writer, Being An Artist, birthdays, blogging, blues, day job, depression, getting old, getting sober, hometown, Jim Trainer, media, mental health, mid life, middle age, Music, music performance, new journalism, Performance, Philadelphia, Poetry, published poet, publishing, publishing poetry, punk rock, recovery, self-help, self-publishing, singer songwriter, singer-songwriter, sober, sobriety, solitude, songwriting, Spoken Word, straight edge, therapy, working class, Writing, writing about writing, WRITING PROCESS, yoga, youth on March 2, 2017 at 4:12 pm

…this way or no way, you know I’ll be free…
-David Bowie

In 92 hours I’ll be 42 years old. That sounds heaps better than I could’ve ever imagined in the angry, useless days of my youth. I’d been pushing it hard until 30. I didn’t think I’d make it, which was a perfectly dumb and tragic thing for a young punkrocker like me to say. The reality was I didn’t want to make it, but to say I wasn’t afraid of dying is only half true. I was obsessed with it, caught up in its vicious thrall, and those were the days. With a profound and fortunate bit of sorcery I had somehow sublimated my utter fear of death with growing up to be anything like my old man.  So on my 25th birthday I began celebrating my birthday properly-I celebrated myself. If I wasn’t doing anything to get closer to my artistic ideals for 364 days of the year, then I would deliberately do something to further that end on March 6, every year until I died.
On my 25th birthday I strung up my old bass.  It was a small gesture that eventually brought music back to the fore, as I’d been concentrating all my efforts on spoken word ever since I failed my audition for the University of the Arts in the Fall of ’94. I couldn’t have known the importance of planting that seed but many birthdays to come were celebrated by playing a show. I bought myself a 1969 Gretsch Single Anniversary Archtop, and switched from playing upright bass to being at the front of the stage, singing and belting ’em out for years in Philly, until I pulled stakes and followed that high, lonesome sound to Texas. The pendulum swung back to poetry and spoken word with the publication of Farewell to Armor, but the healthier I get the more I feel the need to get back up under the hot lights and scream my fucking head off in a post-punk or junkrock outfit. Getting healthy took me out the birthday game.  My 40th only found me circling the chimneya outback with a young redhead in knee highs, smoking all my Marlboros ’cause I didn’t want to wake up a smoker.

I’m back in the birthday game, mon ami, and I’m going full throttle into the Arts and doing what I love. I’ve got the resources and, after years of going without, I know what I need to get by. As much as I loathed another day on the planet, let alone aging another year back on the too-small, working class streets of Philadelphia, I couldn’t be more excited about being 50, and that’s because it’s 8 years from now-8 years tightening the screw and devoting more and more of my life to Art. It’s incredibly strange and ironic that I’m swinging upward as the world begins to really roil and spin, darkly and further out from our beautiful potential. Far be it from me to ignore what’s going on out there on the street, I must be steady and find a way to affect and interact with the people that I love. We both know it’s fucked out there. My point is, it’s been fucked in here, for as long as I can remember, but now I can feel something resurrect, and I ain’t stopping but considering my health and sanity and what I can give to those in need. There’s a war raging out there that never had anything to do with me. I know that these days it’s probably acceptable to fault me for that attitude. But concentrating on my community is the only way I know to get higher. The rest, it seems, is just furor and hyperbole, diverting us from the heart of the matter. For my 42nd birthday I’ll be doing me and I is another.

It’s never been more important to be punk rock then now, Brothers and Sisters. We are all we have. Let us do work.

won’t you celebrate with me
what i have shaped into
a kind of life? i had no model.
born in babylon
both nonwhite and woman
what did i see to be except myself?
i made it up
here on this bridge between
starshine and clay,
my one hand holding tight
my other hand; come celebrate
with me that everyday
something has tried to kill me
and has failed.

by Lucille Clifton